*sensually moving my hair aside to expose my neck* how's this for girl dinner
Are you feeding a vampire or a lesbian
yes
*sensually moving my hair aside to expose my neck* how's this for girl dinner
Are you feeding a vampire or a lesbian
yes
loaded an older save. would be nice to know what the fuck was i up to
The first one was already funny but the second made me crack up :D
meet-cute between two guards who were both knocked out and stashed in a vent by a masked assassin
from observations, I feel like many people took “history books are full of propaganda” and ran with it and instead of more deeply investigating history from varying sources, they just don’t know jack shit about history
I need everyone that has ever talked about “overthrowing capitalism” to understand that
also there are things you didn’t learn about in history class that nobody was trying to hide from you
(there are definitely things some people sometimes ARE trying to hide from you, and that was even more true in the pre-Internet days when it was easier. I’m not saying it never happens. but it’s not always the reason)
if your teacher is trying to cover all of...I don’t know, Modern European History(TM), they might not have time- between wars and economic crises that impacted the fate of nations -to get into Virginia Woolf’s gay love letters. that doesn’t mean they’re ~hiding her as part of a homophobic conspiracy~. it just means they have a lot to cram into like six months to give teenagers some vague understanding of the events that shaped our society
I see a lot of people on here like “why didn’t I learn about [historical figure who is important in the history of an oppressed group but didn’t have a huge impact on the Big Picture of the world] in school?” and other people responding “you know why...” and like
sometimes. but definitely not always
Turns out trying to cram 7,000 years of human civilisation into a 45 minute class period before lunch has issues.
Look. School is supposed to be cliff notes. Primary, secondary, they’re a basic toolset. You’re supposed to go on from there. And no, I don’t mean tertiary, I mean far, far beyond. I mean keep feeding your goddamn brain and exploring everything. School gave you enough to function in a basic society snapshot, now go make it a better one.
turns out one of the most bullshit parts of school is that after it’s over, it’s on you to learn all the shit they didn’t or couldn’t teach you

Context (from my post about it here) because today marks 55 years since Aberfan:
Humans are born with demon counterparts to protect them.The more innocent and pure a person is the more mean fierce and terrifying their demon becomes.Today you met an 82 year old woman with the kindest sweetest demon you’ve ever met.

goat fight. non-negotiable.
#LISTEn listen most marvel fights feel so contrived and fake and like la-dee-da-superhero#but this one was REAL and had me on the edge of my seat and still does#partially bc of the street clothes not costumes#partially because steve is fighting 1 on 1 and gets stripped of his shield quick#and he has to show like his physical combat skills#and the ACTING on both their parts.. fucking ace#esp chris evans tho like his face looks PANICKED how often do u see captain fucking america panicked??#anyway in this essay i will (tags via @asterlark)

Thank the Russo brothers for a) shooting outside in a real setting with practical effects not CGI, for going with a shaky cam that actually added to the sense of immediacy and wasn’t annoying as fuck.
Let me tell u what makes this scene so great. It’s the fact that Steve has a match, an equal. He mows down the goons on the Lemurian Star, escapes SHIELD HQ by fighting 15 people in closed quaters, jumps off a buliding and blows up a plane, then within hours he meets up with Natasha and survives a missle strike. He has no match, no equal in this world. That’s what happens when Batroc challenges him - this scene shows us that men think they can go toe to toe with Steve but they simply can’t.
And then this scene is a rare beast. It’s an action scene that is actually a character building scene. We saw the WS blow up Fury’s car and shoot him, but that could have been any common soldier. Sam could have deployed the mine. Natasha could have taken the shot a Fury. None of them could survive in no holding back fight with Steve.
Within seconds, Bucky has Steve off of him (usually if Steve is close enough to hit you, it’s game over for you), then disarms him and uses his weapon against him. Bucky dictates the speed and the path of the fight, and while Steve tries to attack, most of the time he is dodging. This tells us the audience, several things: a. Steve is in actual danger, b. Steve, judging by his face, is scared (remember what beatings he has taken up unitl now) and therefore c. for the first time in 3 movies, Steven Grant Rogers, Captain America, is not safe. The stakes are real. You are feeling the adrenaline Steve is feeling, even if you are not sure why. That’s what makes this scene a masterpiece.
here’s the thing about the hero’s journey - it happens in threes.
step one: face an opponent (Batroc). win with competence and ease.
step two: face a bigger opponent (betrayal mandatory; elevator optional). the stakes are higher. The fight is harder. they blood you. still, you win. of course you win. you’re captain america.
step three: you never saw him coming. you don’t understand why he slips inside your defences. like he how you fight, how you think.
like he knows you.
(he’s got you on the ropes)
you can’t give up, but for the first time since the ice, since the Valkyrie, since the serum, you don’t know if you’re going to be strong enough to win this fight.
then
then
you take one last desperate act, hoping he won’t see Natasha, hoping he won’t see Sam coming. you grab the mask.
and the world stops.
It’s bucky
deep down you knew it was bucky.
(who the hell is Bucky?)
he doesn’t know you.
he doesn’t know you.
for the first time since the train, you can’t breathe.
it’s bucky.
(where are we going?)
(the future)