18 9 / 2014

Tony Porter: A Call To Men
"Tony is the original visionary and co-founder behind A CALL TO MEN: The National Association of Men and Women Committed to Ending Violence Against Women. He is the author of "Well Meaning Men...Breaking Out of the Man Box - Ending Violence Against Women" and the visionary for the book, NFL Dads Dedicated to Daughters.

Tony's message of accountability is welcome and supported by many grassroots and established organizations. He’s currently working with numerous domestic and sexual violence programs, the National Football League, the National Basketball Association, colleges and universities around the country. He has worked with the United States Military Academy at West Point and the United States Naval Academy at Annapolis.

Tony is an international lecturer for the U.S. State Department having worked in the Democratic Republic of the Congo, United Kingdom and Brazil. In addition, he has been a guest presenter for the United Nations' Commission on the Status of Women and has been a script consultant for Law & Order: Special Victims Unit." - (x)

(Source: exgynocraticgrrl, via ladyshinga)

03 9 / 2014


But women can never be careful enough, can we? If we take naked pictures of ourselves, we’re asking for it. If someone can manage to hack into our accounts, we’re asking for it. If we’re not wearing anti-rape nail polish, we’re asking for it. If we don’t take self-defence classes, we’re asking for it. If we get drunk, we’re asking for it. If our skirts are too short, we’re asking for it. If we pass out at a party, we’re asking for it. If we are not hyper-vigilant every single fucking second of every single fucking day, we are asking for it. Even when we are hyper-vigilant, we’re still asking for it. The fact that we exist is asking for it.

This is what rape culture looks like.

This is what misogyny looks like.


02 9 / 2014


I think it’s significant that Marvel raised the bar. When Iron Man came out in 2008, it significantly changed our cultural standards for superhero movies. And then Marvel kept doing it. Each movie that came out in the MCU seemed better than the last. The female characters were far more than just love interests. The movies weren’t just about superpowered battles and cackling supervillains. Marvel’s movies talked about significant real world issues. They were about questions of military privatization, or cultural appropriation, or government surveillance. We learned to trust Marvel and to look forward to each new movie where the female characters were scientists and CEOs who had better things to do than to worry about their own romantic subplots.

In 2012, Kelly Sue DeConnick blew everyone away with her run of Carol Danvers, and some really amazing things happened. Marvel got a huge new contingent of new fans, mostly female, calling themselves the Carol Corps. And there was a lot of talk about what a huge deal this was, for anything to bring in new comic fans in this quantity. There started to be an outpouring of people talking about how they’d always wanted to get into comics but they felt like they weren’t welcome. (This isn’t to in any way discredit the incredible female fans and creators who long predated Captain Marvel’s 2012 run—let me tell you of my infinite love for anything written by the incomparable Gail Simone.) Captain Marvel changed that, and Marvel paid attention.

In 2013, catering to their new huge demographic of female fans, Marvel Comics put out a couple of all-female teams: the X-Men and the Fearless Defenders, neither of which had ever traditionally been all-female teams. X-Men continues strong, with a multi-ethnic all-female team. Fearless Defenders got canceled after a year due to poor readership, but surprisingly that didn’t discourage Marvel from continuing to cater to its new female demographic.

In 2013 and 2014, Captain Marvel’s run continues, and we’ve got a new Ms. Marvel who is a Muslim-American teenage girl getting fantastic readership and reviews. Black Widow’s got a new run going strong, Elektra and Storm are headlining their own titles, the new writer of Winter Soldier says that ‘feminism’ will be one of the title’s main themes, and the announcement of a new female Thor has sent a whirlwind through the industry. I’ve probably forgotten a few things because Marvel Comics is currently putting out so much worth being excited about for its female fans.

Marvel has been consistently raising the bar since 2008, in both their movies and their comics. There is a vast, varied and passionate fan following that has exploded in the wake of the new direction that Marvel has gone within their industry, both in movies and in comics. Millions of people who may not have known who Iron Man was in 2008 are now dedicated fans of all things Marvel. I’m one of them.

Which is why the backlash against Marvel’s refusal to put out a female-led superhero movie is just so angry and passionate. We got used to Marvel raising the bar. We learned to trust Marvel, and in many ways that peaked in April 2014 when Captain America: The Winter Soldier came out, with a female co-star who was not a romantic interest, for a movie that totally blew away the numbers at the box office, coinciding with many of the exciting things mentioned above going on in Marvel Comics.

Marvel raised the bar and people responded. Their fanbase expanded exponentially, their profits rocketed. But we’ve reached a point where the obvious next step to raise the bar again is to produce a female-led superhero movie that’s on par with the rest of the MCU canon, and Marvel—namely president Kevin Feige—is refusing. It isn’t that Feige’s stance has changed in any way in order to bring on this increasingly massive outpouring of frustration and demand for a female-led superhero movie. It’s that we’ve learned to expect that Marvel will raise the bar.

Guardians of the Galaxy didn’t do that. It was a fun movie, which had a lot of great things about it, but it didn’t raise any bars. And I don’t think anyone is expecting Ant-Man to raise any bars. The heads of Marvel have assumed that, at least when it comes to the MCU, its fan following is due to Marvel’s ability to put out great superhero movies. But the truth is that the MCU’s massive success and popularity is largely attributed to its ability to raise the bar of what people expect from superhero movies. And if you become known for raising the bar, that’s not a topic where you can rest on your laurels.

Female-led action movies like Hunger Games (or starring Scarlett Johansson in particular, like Lucy) make bank. Women purchase 52% of movie tickets and 46% of comics. There’s a market. There’s a demand. There’s a massive and vocal audience telling you exactly what they want you to produce.

C’mon, Marvel. Renew our faith in you. Raise the bar.

(via maggieblueberry)

29 8 / 2014

"We tell our women “get into science, get into math, get into the pipeline.” Who wants to be in a pipeline full of acid?"

Alicia Menendez - The View

I’m at the car dealership, waiting for my service recall to be completed, and this statement caught the attention of every woman in the room. Unsurprisingly, they all nodded in assent while the few men in the room looked uncomfortable.

The point is valid: even if access to STEM and other male dominated fields is made available, we need to do something about the culture in the field. Access to a pipeline full of acid, while it is still access, serves to maintain inequality.

(via glintglimmergleam)

so my sister works in STEM & if you talked to her for like 5 minutes she can tell you how true this is. it’s fucking poisonous

(via verybereft)

(Source: ninjaruski, via face-down-asgard-up)

25 8 / 2014




Congratulations, gamer girls—you’re officially at the top of the food chain when it comes to games. A new study released by the Entertainment Software Association has revealed that adult women now occupy the largest demographic in the gaming industry. Women over 18 made up a whopping 36 percent of the gaming population, followed by adult men at 35 percent. 

I cannot wait for men to cry about this


now let’s get more women in development

25 8 / 2014


Wow, it’s so hard to understand why a woman-written comic about a female superhero who wears a sensible costume, writes fanfic, and stuffs her face with tasty gyros is so popular and trendy, while a cover for a forthcoming male-written book that portrays its female superhero as sexxily posing for porn sexxx in a suit that clings to every anatomical feature of her 22-inch waist and ass is widely derided. I mean, the thing is that it’s just really mysterious. It’s like how audiences say they’re interested in Black Panther and Ms. Marvel movies, when really what they want is even more white male superheroes. People are so confusing! 

(via ladyshinga)

21 8 / 2014


Wow, OK, I had kind of conceptualized that Joss Whedon post along the lines of “here are some random thoughts that I’m gonna store behind a cut in case a few people are interested,” not expecting so many people to reblog it. But since there was so much interest, I ended up thinking about it more. And the direction my thinking took me in was this: what is it that women find attractive in male and female characters, and to what extent does this match up with what men assume that women find attractive in these characters?

Read More

18 8 / 2014

11 8 / 2014


lmao 2 years ago not even the majority of marvel comics fans cared about the guardians of the galaxy and now I’m seeing reading lists popping up left and right and RYAN FUCKING SEACREST said “I am groot” on national radio but NO ONE WAS ASKING FOR A GOTG MOVIE BEFORE IT WAS ANNOUNCED

carol danvers has a rabid fanbase that has their own name and that creators are scared of when they show up at cons. you think iron man had something like the carol corps when they decided to give him a movie? YOU THINK ROCKET RACCOON OR GROOT HAD A FANBASE CLAMORING FOR THEM TO GET A MOVIE????

get the fuck outta here with this weak “no one knows female superheroes like they know marvel’s big three” like DUH marvel has spent 6 YEARS making sure everyone knows who captain america, iron man, and thor are by giving them their own movies. stop defending kevin feige’s weak slimy bullshit you soggy-assed milkbags

(via maggieblueberry)

11 8 / 2014

"Medieval England experienced some spectacular rulers, both male and female. This was an age, in particular, of extraordinary and resourceful women: consider Eleanor of Aquitaine, queen of Henry II, who continued shaping government policy, escorting brides across Europe, and leading armies well into her seventies. Isabella of France, wife of Edward II, launched an invasion against her ineffectual husband alongside her lover, deposed the king, and was possibly involved in his later murder. Then there was Margaret of Anjou, who courageously took hold of the reins of government when her saintly if unassuming husband Henry VI fell into madness, and took a spirited and energetic role of leadership in the conflict known as the Wars of the Roses, so vividly depicted in the works of Shakespeare. Elizabeth Woodville was another courageous and strong-willed queen who fought for the Yorkist inheritance during the Wars of the Roses and was every bit as formidable as her adversary Margaret. All of these women have, to differing degrees, been remembered as ‘she-wolves’: powerful, determined women who seized the reins of power seen as correctly belonging to their husbands, defying contemporary expectations of females as weak, gentle and submissive beings."